Articles about AncillaryIPs

AncillaryIPs: The wave

By Gavin Artz- January 22nd 2010

Origonally published on Mission Models Money

http://www.missionmodelsmoney.org.uk/blog/guest-posts/ancillaryips-the-wave/

“if I had asked people what they wanted, they would have said faster horses”

- Henry Ford.

Commercialisation of intellectual property by creative practitioners has gone mostly unnoticed by the mainstream economy. Artsactive have a small catalogue of patents that have been derived from creative practice, but as a standard revenue stream it is poorly explored. At the Australian Network for Art and Technology (ANAT) we work with artists who are at the very forefront of science and emerging technology. It was noticed that through the processes encouraged by ANAT, artists were creating intellectual property when they encountered a technical roadblock in their work. They created code, machinery or processes in their endeavours to over come problems in achieving their creative vision. These AncillaryIPs (Artz 2008) had been mostly overlooked More >

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The arts, innovation and commercial opportunities

By Gavin Artz – August 24th 2009

Originally published for ISEA 2009

The Australian Network for Art and Technology (ANAT) has been working with art, science and technology for 21 years. It has only been relatively recent that the innovation potential of the arts, particularly those working with technology, has been understood. Myths relating to artists not wishing to be commercial and the active marginalising of the arts in intellectual property (IP) development has meant that the arts are overlooked as a source for commercially viable IP. Through my work at ANAT I have experienced artists going through the patent process, rapid prototyping, engaging in scientific research and producing new applications in digital media. More >

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Art, Living Culture and the Entrepreneurial Mind

By Gavin Artz – August 4th 2008

Originally published Music Forum. Journal of the Music Council of Australia

Vol. 15 No. 4, August – October 2009. ISSN 1327-9300


If art were a part of our living culture would we recognize it as art?

In the digital age one of the biggest conundrums for business is how to find successful models for generating revenue from digital activity. Facebook doesn’t generate as much revenue as its value would suggest it should and digital business is finding it has a commodity that is highly valued in a cultural and social sense, but consumers are not willing to put any commercial value on it (Oreskovic, 2009). Those artists whose practise is in digital media would probably be able to relate to this problem. More >

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Artistic practice and unexpected intellectual property: Defining Ancillary IPs

By Gavin Artz – July 9th 2008

Originally published by CHASS

http://www.chass.org.au/papers/PAP20080709GA.php

This brief paper was inspired by a presentation In April 2008 where, as the General Manager of the Australian Network for Art and Technology (ANAT), I addressed a CHASS workshop on Art and Innovation. After the presentation it became apparent that ANAT, in some ways, had been charting its own course in answering the question of the best way to get innovation from creative pursuit. ANAT had been using internal models that had been developed to help guide the organisation and these models were not being used outside of ANAT. One of the main concepts that highlighted a point of difference was a concept I had developed of Ancillary IPs. More >

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