AncillaryIPs in the news

AncillaryIPs at Creative 3

On the 16th of April 2010 Gavin Artz spoke on AncillaryIPs in the creative industries with a focus on strategic business use of IP law.

http://creative3.com.au/

creative3 empowered individuals and organisations alike to harness the power of three – creativity, investment and enterprise – to build a successful creative business, through practical learnings and applications.

Focused on showcasing the combined power of these three key elements, the new generation eventplaced particular emphasis on the areas of film and television, new media, design, and music.

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AncillaryIPs Embraced by Emerging Artists at TINA 2009

October 3rd 2009

AncillaryIPs was presented at This Is Not Art (TINA) 2009 as a part of a talk on making money in the media arts.

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AncillaryIPs Paper Presented at ISEA 2009

August 23rd 2009

Gavin Artz presented AncillaryIPs at ISEA 2009 held in Dublin. ISEA is the premier international conference on electronic arts. The paper “The arts, innovation and commercial opportunities” will be published by ISEA 2009.

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Academics at the Media Arts Congress 2009 “Inspired” by AncillaryIPs

July 4th 2009

AncillaryIPs was presented to arts academics as a part of the Media Arts Congress 2009.

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Ancillary IPs at the 3rd Annual IP Management in Practice Conference

http://www.tonkincorporation.com/?m=5&id=250&t=15

Gavin Artz spoke to an audience of IP and commercialisation professionals at the 3rd Annual IP Management in Practice Conference 16th – 18th of March 2009. There was strong interest from university based commercilisation agencies that have a mandate to commercialise IP in the arts, but before Ancillary IPs had model to guide them.

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Ancillary IPs First Public Appearence at the “2008 The Arts, and the Innovation Agenda Workshop”

March 31st 2008

http://www.chass.org.au/events/2008/art/

At CHASS’s 2008 The Arts, and the Innovation Agenda Workshop Ancillary IPs gets its first mention by Gavin Artz in a presentation on how commercial outcomes can be developed from artistic practice without diminishing the artist’s creative vision. Although only a small part of the presentation it struck a cord with academics and artists in the audience.

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